The phenomenological body of Merleau -ponty's space of meaning

Mohammad Farha, Heba Mallah

Abstract


يحاول هذا البحث أن يُبيّن أهميّة الجسد كجسدٍ مُدرِكٍ للعالم، واعتبار هذا الجسد وحدةً مفتوحةً للتعابير والكلام. ثم يحاول البحث أن يُبيّن خصائص العلاقة بين الدّال والمدلول في حقل التعبير اللغوي، المتعلِّق بقصديّة الكلمات والدلالات المنطوقة أو المكتوبة التّي يتجِّهُ إليها الجسد الذّاتي. كما نحاول أن نوضّح اهتمام ميرلوبونتي بما سمّاه باللغة غير المباشرة أي الفنون الجمالية، ودراسة مدى جدوى استقطاب الفنون مثل الرسم والرقص إلى حقل فلسفة اللغة الصامتة. إنّ الجسد هو إمكانٌ وجوديٌ حاضنٌ للإيماءات الجسديّة واللغويّة، وهي ذات طابعٍ خاصٍّ يتفاعل فيه الجسد مع حركاته، موضِّحاً الكوجيتو الجسدي بين الصمت والكلام، ودورهما في عملية إنتاج المعنى ضمن فضاء الجسد بين نقيضيه المرئي واللامرئي.

The research tries to show the importance of the body as a body awares the world, and to consider this body as an open unite of expression and speech, then the research attempts to show the characteristic the relationship between signifier and signified in the field of linguistic expression. which is related to intentional words and spoken or written signs which the self-body tends to them, Moreover the research explains Merleau- ponty's interest what he calls indirect language which is aesthetic arts, and studying the feasibility of attracting the art of drawing and dancing to philosophy of silent language. The body is the possibility of my being which has bodily and linguistic gestures, it is a special nature in which the body interacts with its movement. Exploring the bodily Cogito between silence and speech, and their role in the producing of meaning in the body between visible and non- visible.


References


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Farha, Mohammad. Batol, Mohammad. Shorthand between Husserl and Merloponte, Tishreen University Journal for Research and Scientific Studies - Arts and Humanities Series Vol. (39) No. (6) 2017.


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رئيس التحرير: الأستاذ الدكتور هاني محمود شعبان

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