The feminine narration of masculine patterns in some passages of "History is ripped apart in the body of women" by "Adonis".
Abstract
Cultural criticism focuses on eradicating and deconstructing the dominance patterns . This research tries to re-interpret the biography of divine in the female lens , the oppressed pattern , the oppressor one , that advocate the masculinity of culture ; to finally reveal the hidden one, in which the women hood tries to describe and go in deep in its cases , that tackle the female body the axis of existence in its relation to divine and masculinity.
To conclude , the feminine re-write the masculinity through re-forming the criteria between : margin: feminine and center: masculinity . It also utilize the feminine vision which does not eradicate the oppressor masculine pattern , interacting or melting in , but it chooses the humanity tendency that overriding any denied ideology.
انطلاقاً من أن النقد الثقافيّ يركّز على استخلاص الأنساق المُضمرة وتفكيكها ، فإنّ البحث يحاول استقراء سيرة المقدّس على لسان الأنثى ؛ سيرة النسق المقموع ، والنسق القامع المُنتصر للثقافة الذكوريّة المتأصّلة، وصولاً إلى النسق الغائب الذي تحاول الأنوثة وصفه، والغوص في مكوّناته التي تتّخذ من الجسد الأنثويّ محوراً للامتداد الوجوديّ من خلال علاقته بالمُقدّس و الذكوريّ.
يخلص البحث إلى أنّ الأنوثة تُعيد كتابة الذكورة بصوغ المعادلة بين هامش أنثويّ ومركز ذكوريّ ، وتوظيف الرؤيا الأنثويّة التي لا تريد خلع الذكوريّ القامع، أو الحلول به ،أو التماهي معه ؛لتخيّرها النزعة الإنسانيّة المنزّهة عن أيّة أيديولوجيا تُدين كلا الطرفين .
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