في التناص الصوفي تناصية الحيرة في " أغاني مهيار الدمشقي "

Authors

  • وفيق سليطين

Abstract

يتوقف هذا البحث عند مفهوم " الحيرة " في المدوّنة الصوفية أولاً، ليكشف عن حمولته المعنوية، ويخلّصه من التعالقات التي تحفّ به وتنسرب إليه من الاستخدامات الفقهية والكلامية والفلسفية. ويذهب، ثانياً، إلى استجلاء أشكال توظيفه عند " أدونيس " في ديوانه الموسوم ب " أغاني مهيار الدمشقي "، ليبين كيف مخَضَ " أدونيس " الكلام الصوفي وأعاد تركيب عناصره، من جديد، في ديوانه المذكور، وليلقي الضوء، من خلال التحليل، على عمليات التحويل وطرائق التوظيف التي تحكم علاقة النصّ الحاضر بسلفه الغائب، وتستدعي اشتباكهما معاً في لحمة نصيّة مركّبة، هي حصيلة سياقات الاحتكاك والتصادم والحوار، بما يترتب عليها من فيض المعنى وقوة الإشعاع المحفزّة لنشاط القراءة .

Firstly, the concept of "scruple" in Sufism code uncovers its incorporeal load and purges it from impurities ascribed to it by theological, scholarly, and philosophical applications. Secondly, it clarifies the forms manipulated in Adonis' anthology "Songs of Mahyar the Damascene," demonstrating how Adonis has regenerated the Sufi discourse and recomposed its component parts,  shedding  light on transformation processes and methods of application which govern the relationship between the present text and its silent counterpart, calling for both to be intertwined in a complex textual relation resulting from contexts of engagement, collision, and dialogue, and what it boils down to by way of meaning and power of radiance motivating the reading activity .

Downloads

Published

2018-12-17

How to Cite

سليطين و. (2018). في التناص الصوفي تناصية الحيرة في " أغاني مهيار الدمشقي ". Tishreen University Journal- Arts and Humanities Sciences Series, 30(1). Retrieved from https://journal.tishreen.edu.sy/index.php/humlitr/article/view/5547

Issue

Vol. 30 No. 1 (2008): الآداب والعلوم الانسانية

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

journal uses a CC BY-NC-SA license which mean

The authors retain the copyright and grant the right to publish in the magazine for the first time with the transfer of the commercial right to the Tishreen University Journal- Arts and Humanities Sciences Series

 Under a CC BY- NC-SA 04 license that allows others to share the work with of the work's authorship and initial publication in this journal.Authors can use a copy of their articles in their scientific activity, and on their scientific websites, provided that the place of publication is indicted in Tishreen University Journal- Arts and Humanities Sciences Series.  The Readers have the right to send, print and subscribe to the initial version of the article, and the title of Tishreen University Journal- Arts and Humanities Sciences Series  Publisher

You are free to:

  • Adapt — remix, transform, and build upon the material
  •  
  • The licensor cannot revoke these freedoms as long as you follow the license terms.
 
  • Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  • NonCommercial — You may not use the material for commercial purposes.
  • ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.
  • No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

Most read articles by the same author(s)

1 2 > >>