شعر المُجون في القرن الثانيّ الهجريّ بين الإبداع والزندقة والشّعوبيّة
Abstract
يتناول البحث قضيّةً إشكاليّة شائكةً في النقد العربي , هي ظاهرة المُجون في القرن الثاني الهجري , فالإشكاليّة في مصطلح المُجون,ومعناه,وتاريخ نشوئه وشيوعه,وفي اتهام معظم الشعراء المُجّان في ذلك العصر بالزندقة, والشعوبية,بالرغم ممّا اتصفوا به من ثقافةٍ وفهمٍ عميقين .
فالبحث يحاول الكشف عن كنه معنى المُجون عند شعراء القرن الثاني , واستكناه المعنى الشعريّ , وحقيقته, وخصوصيّته لديهم . بعيداً عن الميول والرغبات والأفكار المسبّقة. وقد تناول البحث ظاهرة المُجون بإطارها الزماني والمكاني,مع الأخذ بعين الاعتبار تطوّر الحياة وقتئذٍ في المجالات كافةً. مع التركيز على ضرورة الفصل بين العمل الفنّي والأخلاقي,وضرورة التمييز بين الصدق الفنّي والأخلاقي في العمل الإبداعي؛ لأنّ عدم التمييز بينهما أسهم بشكلٍ كبير ,عند النقّاد القدامى والمعاصرين,في عزل هذه النصوص عن التجربة المعيشة والخلاّقة, وفي عدم وضعها في المكان اللائق بين النصوص التراثيّة المبدعة في أدبنا العربي .
يجتهد البحث في تقديم قراءةٍ وفهمٍ جديدين, محاولاً استجلاء المعنى الدقيق لهذه الظاهرة,بعيداً عن الآراء والأفكار المسبّقة.
The research deals with a problematic issue in Arabic criticism, which is the Profligacy phenomenon in the second century of Hegira. The problem lays in the term Profligacy, its meaning, history and publicity, and the accusation to most profligate poets in that era of atheism and nationalism; despite their keen education and universal vision. Thus, the research tries to uncover the essence of the meaning of Profligacy of the second century poets, and the essence of the poetic meaning and its traits, far from previous notions, wishes and trends. Moreover, the research deals with the Profligacy phenomenon with both its time and place. It takes into consideration the progress of life in that era with emphasis on the importance of the distinction between artistic and ethical work. In addition to that, the necessity of distinguishing artistic and ethical truthfulness in the creative work is present. It also led to not putting this experience in its suitable position among creative tradition texts in our Arabic literature.
The research undertakes new reading, trying to elicit the exact meaning of this phenomenon, getting away from opinions and the already set notions.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
journal uses a CC BY-NC-SA license which mean
The authors retain the copyright and grant the right to publish in the magazine for the first time with the transfer of the commercial right to the Tishreen University Journal- Arts and Humanities Sciences Series
Under a CC BY- NC-SA 04 license that allows others to share the work with of the work's authorship and initial publication in this journal.Authors can use a copy of their articles in their scientific activity, and on their scientific websites, provided that the place of publication is indicted in Tishreen University Journal- Arts and Humanities Sciences Series. The Readers have the right to send, print and subscribe to the initial version of the article, and the title of Tishreen University Journal- Arts and Humanities Sciences Series Publisher
You are free to:
- Share — copy and redistribute the material in any medium or format
- Adapt — remix, transform, and build upon the material
- The licensor cannot revoke these freedoms as long as you follow the license terms.
- Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- NonCommercial — You may not use the material for commercial purposes.
- ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.