شهرزاد في طور التنكّر: السفر داخل النفس والكشف عن ماهية "السايبورغ" للتأطير القصصي في "أركاديا" للشاعر فيليب سيدني
Abstract
This paper demonstrates how Book I of Sir Philip Sidney’s The Countess of Pembroke’s Arcadia revolutionizes the dynamics of travel and contact of different worlds and cultures as represented in the classical frame narratives of world literatures. Arguably, Sidney’s Arcadia interrogates the frame narrative tradition that involves the possibility of exerting change in certain ideologies through interaction with conflicting worlds. Revising the classical trappings of the frame narrative, exemplified in the legendary narrative of Arabian Nights, Book I of Arcadia introduces the genre of the “cyborg” frame narrative that incorporates the aesthetics of composite identity facilitated by the strategy of disguise. Reinforcing the concept of mutable identity, Arcadia suggests that the transformation of gender and class ideologies is viable through inward travel and “cyborg” identity’s open sesame, not necessarily through fictional travel or actual movement as demonstrated in Arabian Nights.
يوضح هذا البحث كيف أن الكتاب الأول من "أركاديا" للشاعر فيليب سيدني قد أحدث ثورة في دينامكيات السفر والاتصال بين عوالم وثقافات مختلفة ممثلة بالتأطير القصصي الكلاسيكي في الآداب العالمية. يمكن القول أن "أركاديا" تشكّل نقداً لتقاليد التأطير القصصي والتي تنطوي على إمكانية إحداث التغيير في بعض الأيديولوجيات من خلال التفاعل مع عوالم متضاربة. يحدث الكتاب الأول من "أركاديا" تحولاً في المقومات الكلاسيكية للتأطير القصصي ممثلة بالسرد الأسطوري في "ألف ليلة وليلة" ، مقدماً نوع "السايبورغ" القصصي و الذي يتضمن جماليات الهوية المركّبة و تيسّره استراتيجية التنكّر. تعزّز "أركاديا" مفهوم الهوية التحولية والذي يوحي بأن التغيير الأيديولوجي ممكن من خلال السفر داخل النفس و إلى العوالم التي تفتحها ماهية "السايبورغ" ، وليس بالضرورة من خلال الترحال الحقيقي أو التجوال التخيلي عبر سرد الحكايات كما تبين في "ألف ليلة وليلة."
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